QUOTE(SiLeNTScReAM @ Apr 1 2007, 06:12 PM)

Assuming that you have VERY minor knowledge on the Theory of music, you won't seem to understand what I am saying.
basically what I am saying is, those bands ARE Talented and gifted, THEY DON'T ALL PLAY IN A STEADY 4/4 time frame, Take for example, Messhuggah, they all play in Radical time signatures 15/16, 7/8, 12/32
You don't know the ideaoligy behind my statement, so don't try to turn this into a damn flame fest against those bands.
and I am NOT a Heavy metal fan exclusivly, I listen to every genra under the walks of the sun.... Listen to Dillenger Escape Plan.
Ok, I hate to be a prick, but I've got to be for this post.
First of all, learn to spell ideology, exclusively, and genre. Now that we've got the erroneous part out of the way, on to music theory!
First, we must establish that there is no credible link between intelligence and the creativity, complexity, or harmony of a band/song, nor does it mean that an intelligent person can compose or write music. Saying that someone is intelligent simply because they use odd time signatures is nonsensical and a misuse of logic.
Second, we can see that with the technology available today, its fairly easy for anyone to upload a song to Sibelius or Cubase, change some stuff around, and print out sheet music thats in 15/16 time signature.
Third, we should take a look at classical music for a second. This is more of an aside, but nevertheless, its been proven time and time again that children turn out more intelligent the more they're played classical music as a child. Perhaps we should pay more attention to those kinds of studies than what random teenagers like?
Fourth, time signatures aren't everything. A lot of fairly basic pop songs make use of more advanced rhythmic techniques such as hemiola. So even if the only qualifier for creativity and outstanding composition were to be how outrageous your time signature is, many other songs besides Meshuggah's qualify as giftedly composed.
Fifth (part a), let us examine Spem in Alium by Thomas Tallis written in the 1500s, which is widely regarded as one of the most beautiful and well composed pieces of music of all time. For those of you that aren't aware, its a 40 piece motet written in 4/2. To quote Professor Carpenter, "I have a lot more respect for somebody who can write a piece for 40 voices on individual parts writing in a more common time signature to produce something beautiful and original, than a band who can be pretentious and write in a ridiculous time signature and... ultimately sound little different from many other[s]." I regard her views as not only more accurate than your views, but more accurate than my own. Perhaps we should take into account amount of effort that it takes for a man to write parts for 40 voices with absolutely NONE of the technology that we have today, and then look at how easy it is for joe blow (or jane blow) or even Meshuggah, to use a computer program to create music.
Fifth (part b), let us examine further, the classical music. Baroque period, Corelli's Trio Sonata in D, in 6/8 time throughout but with a hemiola in the middle to add interest. Classical period, Beethoven's Septet in E flat, 3/4 time throughout. Romantic period, Brahms' Piano Quintet in F minor, 3rd movement, is written in 6/8 with some 2/4 phrases. 20th Century, Stravinsky's Pulcinella Suite, 4/4, 6/8, 2/4. These people weren't just 'talented and gifted', they were geniuses. When Fredrik Thordendal of Meshuggah can write for an entire symphony, let me know.
Part the sixth, heavy metal is a genre largely targeted and listened to by teens. Shock and awe that included some people of intelligence, regardless of what type of music it was in the first place. I'm sure a university could find just as many intelligent people that are calmed by emo/hardcore/indie/j-rock/etc, etc, as they can find for heavy metal.
Oh, and one last thing. The poster child of your entire theory, Mesahuggah? Yeah, you misspelled that as well.
Edited by redlion, 01 April 2007 - 05:14 PM.